{"id":608,"date":"2022-05-09T19:42:30","date_gmt":"2022-05-09T19:42:30","guid":{"rendered":"https:\/\/blogs-test.newschool.edu\/hromada\/?p=608"},"modified":"2022-05-18T22:01:44","modified_gmt":"2022-05-18T22:01:44","slug":"%ef%bf%bc%ef%bf%bc%ef%bf%bc","status":"publish","type":"post","link":"https:\/\/blogs-test.newschool.edu\/hromada\/2022\/05\/09\/%ef%bf%bc%ef%bf%bc%ef%bf%bc\/","title":{"rendered":"\u0421\u043b\u044c\u043e\u0437\u0430 \u041a\u043b\u043e\u0443\u043d\u0430\/\u0141za Klauna\/The Clown\u2019s Tear\/Lacrima Clovnului\/"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Krzystof Czy\u017cewski<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
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\u043d\u0435\u0441\u0442\u0435\u0440\u043f\u043d\u043e \u0443 \u043f\u043e\u0441\u043c\u0435\u0440\u0442\u043d\u0443 \u043d\u0456\u0447 \u043b\u044e\u0434\u0438\u043d\u0438<\/em><\/p>

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\u0456 \u0432 \u043e\u0447\u0430\u0445 \u0439\u043e\u0433\u043e \u0434\u043e\u0441\u0456<\/em><\/p>

\u0432\u0430\u0433\u0456\u0442\u043d\u0430 \u043d\u0430 \u043d\u043e\u0448\u0430\u0445<\/em><\/p>

\u043c\u0435\u0440 \u0456\u0437 \u0413\u043e\u0441\u0442\u043e\u043c\u0435\u043b\u044f<\/em><\/p>

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\u043f\u0440\u044f\u043c\u0443\u0454 \u043f\u043e \u0432\u0430\u0448\u0456 \u0441\u043d\u0438<\/em><\/p>

\u0434\u043e \u0441\u0430\u043c\u043e\u0433\u043e \u0420\u0438\u043c\u0443<\/em><\/p>

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\u0431\u043e\u0457\u0442\u0435\u0441\u044f \u043a\u043b\u043e\u0443\u043d\u0430<\/em><\/p>

\u0437\u0432\u2019\u044f\u0437\u0430\u043d\u0456 \u043a\u0440\u0430\u0432\u0430\u0442\u043a\u043e\u044e<\/em><\/p>

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\u043a\u0430\u0436\u0435\u0442\u0435 \u0449\u043e \u043a\u043b\u043e\u0443\u043d\u0430<\/em><\/p>

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\u0445\u0442\u043e \u043d\u0430\u0432\u0430\u0436\u0438\u0432\u0441\u044f \u0431 \u0432\u0438\u0442\u0435\u0440\u0442\u0438 \u0457\u0457 \u0437 \u043b\u0438\u0446\u044f<\/em><\/p>

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\u0432\u0456\u0434\u043a\u043b\u0430\u0432\u0448\u0438 \u043d\u0430\u0431\u0456\u043a \u043f\u0430\u043f\u0456\u0440\u0435\u0446\u044c<\/em><\/p>

\u0440\u043e\u0437\u043f\u043e\u0432\u0456\u0441\u0442\u044c \u043f\u0440\u043e \u0420\u043e\u0441\u0456\u044e<\/em><\/p>

\u0440\u043e\u0437\u0441\u0442\u0443\u043f\u0456\u0442\u044c\u0441\u044f \u0445\u0430\u0439 \u0432\u0432\u0456\u0439\u0434\u0435 \u0443 \u0432\u0430\u0448\u0435 \u0441\u0435\u0440\u0446\u0435<\/em><\/p>

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\u0431\u0456\u043b\u044f \u043c\u0435\u0440\u0442\u0432\u0438\u0445 \u0456\u0437 \u0447\u0435\u0440\u0433\u0438 \u043f\u043e \u0445\u043b\u0456\u0431 \u0443 \u0427\u0435\u0440\u043d\u0456\u0433\u043e\u0432\u0456<\/em><\/p>

\u0432\u0456\u043d \u043f\u0435\u0440\u0435\u0442\u0432\u043e\u0440\u044e\u0454 \u0417\u0435\u043c\u043b\u044e \u0441\u043b\u044c\u043e\u0437\u043e\u044e<\/em><\/p>

\u043a\u043b\u043e\u0443\u043d\u0430 \u043f\u0435\u0440\u0435\u043c\u043e\u0433\u0430<\/em><\/p>

\u0439\u0434\u0435 \u0437 \u0423\u043a\u0440\u0430\u0457\u043d\u0438<\/em><\/p><\/blockquote>\n\n\n\n

Translation: Ostap Slyvynsky<\/p>\n\n\n\n

<\/p>\n\n\n\n

nie do zniesienia w pust\u0105 noc cz\u0142owieka<\/em><\/p>

z pomroki upadku wznosi bezsennych<\/em><\/p>

pod most Skakuna ku obronie Buczy<\/em><\/p>

toczy si\u0119 po twarzy<\/em><\/p>

zakrwawionej Ziemi<\/em><\/p>

z grymasem Irpienia<\/em><\/p>

maczajcie w niej stal\u00f3wki pi\u00f3r Ziemianie<\/em><\/p>

ten atrament wci\u0105\u017c jeszcze pisze prawd\u0119<\/em><\/p>

s\u0142owo zestrzelone z cia\u0142em Charkowa<\/em><\/p>

oddajcie swe racje<\/em><\/p>

sercem rozumnemu<\/em><\/p>

buntowi Kijowa<\/em><\/p>

sta\u0144cie na wysoko\u015bci spojrzenia w twarz<\/em><\/p>

klauna co m\u0119\u017com stanu si\u0119 nie k\u0142ania<\/em><\/p>

on tut im pod pr\u0105d przez most Zaporo\u017ca<\/em><\/p>

i w oczach mu stoj\u0105<\/em><\/p>

ci\u0119\u017carna na noszach<\/em><\/p>

mer z Hostomela<\/em><\/p>

ca\u0142unem \u0142zy owija \u015bwiat\u0142o zmar\u0142ych<\/em><\/p>

i zmarszczk\u0105 Dniepru sp\u0142ywa w serce narodu<\/em><\/p>

idzie ku wam greckim brzegiem Odessy<\/em><\/p>

idzie po wasze sny<\/em><\/p>

do samego Rzymu<\/em><\/p>

niesie zdradzony Krym<\/em><\/p>

niesie \u0142z\u0119 dziecka inn\u0105 ni\u017c Iwana<\/em><\/p>

w imi\u0119 kt\u00f3rej wszystko wolno wi\u0119c ruskie<\/em><\/p>

rozstrzelali przedszkole w Starobielsku<\/em><\/p>

nie odda biletu<\/em><\/p>

schylony nad ka\u017cdym<\/em><\/p>

w gruzach Chersonia<\/em><\/p>

idzie dalej ni\u017c si\u0119ga w\u0142adza bestii<\/em><\/p>

z piek\u0142a otwartego nieba ku wam<\/em><\/p>

idzie rozbombionym mostem Europy<\/em><\/p>

ze \u0142z\u0105 everymana<\/em><\/p>

krzyk moralitetu<\/em><\/p>

niesie z Mariupola<\/em><\/p>

on z Aleppo Sarajewa Warszawy<\/em><\/p>

on z Guerniki Groznego i Masady<\/em><\/p>

niesie dom starc\u00f3w zabitych w Kremiennej<\/em><\/p>

boicie si\u0119 klauna<\/em><\/p>

zawi\u0105zani w krawat<\/em><\/p>

przymkni\u0119ci okiem Chin<\/em><\/p>

fa\u0142szyw\u0105 wag\u0105 rozdzielacie pi\u0119kno<\/em><\/p>

od dobra przez prawd\u0119 osieroceni<\/em><\/p>

gubicie \u015blad meridiana z Czerniowiec<\/em><\/p>

m\u00f3wicie \u017ce klauna<\/em><\/p>

zostawi\u0142 za sob\u0105<\/em><\/p>

\u017byd z Krzywego Rogu<\/em><\/p>

lecz ta \u0142za powracaj\u0105cej tragedii<\/em><\/p>

kt\u00f3\u017c odwa\u017cy\u0142by si\u0119 j\u0105 zetrze\u0107 z twarzy<\/em><\/p>

skutej niemym krzykiem Babiego Jaru<\/em><\/p>

idzie ku wam inny<\/em><\/p>

bez czytania z kartki<\/em><\/p>

opowie o Rosji<\/em><\/p>

zr\u00f3bcie mu miejsce niech wejdzie wam w serce<\/em><\/p>

ten co ciemne jasno widzi i kl\u0119czy<\/em><\/p>

przy martwych z kolejki po chleb w Czernichowie<\/em><\/p>

przemienia Ziemi\u0119 \u0142za<\/em><\/p>

klauna peremoha<\/em><\/p>

idzie z Ukrainy<\/em><\/p><\/blockquote>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

Nota:<\/p>\n\n\n\n

tut \u2013 rozbombiony \u2013 peremoha<\/em>: trzy s\u0142owa ukrai\u0144skie:<\/p>\n\n\n\n

tut<\/em> \u2013 nawi\u0105zuje do wypowied\u017a prezydenta Wo\u0142odymyra Ze\u0142e\u0144skiego, nagranej przez niego na kom\u00f3rk\u0119 na samym pocz\u0105tku wojny, gdy Amerykanie proponowali mu pomoc w ucieczce z kraju: Ja tut!<\/em> \u2013 jestem tutaj, w Kijowie, z \u017co\u0142nierzami, z narodem, i pozostan\u0119 tu do ko\u0144ca<\/p>\n\n\n\n

rozbombiony<\/em> \u2013 zbombardowany most, z otwartego nieba, kt\u00f3rego Europa i \u015bwiat nie chce pom\u00f3c Ukrainie zamkn\u0105\u0107 dla rosyjskich samolot\u00f3w<\/p>\n\n\n\n

peremoha<\/em> \u2013 zwyci\u0119stwo; szczeg\u00f3lne s\u0142owo, inne ni\u017c wie\u0144cz\u0105ce b\u00f3j \u0142aci\u0144skie victoria<\/em>, bli\u017csze polskiemu przezwyci\u0119\u017ceniu<\/em>, podkre\u015blaj\u0105ce d\u0142ug\u0105 drog\u0119 przemiany; koniec wojny to jeszcze nie zwyci\u0119stwo<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
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is unbearable to the sleepless <\/em><\/p>

who keep vigil while darkness falls on Skakun\u2019s bridge<\/em><\/p>

blasted in defence of Bucha<\/em><\/p>

it rolls down the face<\/em><\/p>

of an Earth bloodied<\/em><\/p>

with the pained grimace of Irpien<\/em><\/p>

Denizens of Earth, dip your nib in it<\/em><\/p>

this ink writes the truth still<\/em><\/p>

the word shot down along with the body of Kharkiv<\/em><\/p>

forget about your reasons<\/em><\/p>

they know their heart is right<\/em><\/p>

the defenders of Kyiv<\/em><\/p>

stand eye to eye with the clown<\/em><\/p>

he bows down not to statesmen<\/em><\/p>

he stays put tut \u2013 against the tide \u2013 on the bridge of Zaporizhia<\/em><\/p>

for before him he sees  <\/em><\/p>

the pregnant woman on a stretcher<\/em><\/p>

and the mayor of Hostomel<\/em><\/p>

he winds the dead\u2019s light in the tear\u2019s shroud<\/em><\/p>

he flows along the wrinkle of the Dniepr into the nation\u2019s heart<\/em><\/p>

he marches towards you, along the Greek shores of Odessa<\/em><\/p>

he snakes his way through your dreams<\/em><\/p>

all the way to Rome<\/em><\/p>

bearing a betrayed Crimea <\/em><\/p>

he bears the tear of a child who isn\u2019t Ivan\u2019s<\/em><\/p>

in whose name everything was permitted and so the Russians<\/em><\/p>

shot up a kindergarten in Starobielsk<\/em><\/p>

he will not renounce faith<\/em><\/p>

as he bends over each one buried<\/em><\/p>

in the ruins of Kherson <\/em><\/p>

he reaches further than does the beast\u2019s power<\/em><\/p>

from the hell of the open sky, he marches towards you<\/em><\/p>

along the rozbombiony bridge of Europe<\/em><\/p>

in the tear of the Everyman<\/em><\/p>

he carries the morality play\u2019s cry<\/em><\/p>

from Mariupol<\/em><\/p>

the one from Aleppo Sarajevo Warsaw<\/em><\/p>

the one from Guernica Grozny and Masada<\/em><\/p>

he bears the nursing home for the elderly killed in Kreminna<\/em><\/p>

you, tied up in your ties,<\/em><\/p>

fear the clown<\/em><\/p>

and like China you turn a blind eye<\/em><\/p>

with false weight you detach beauty<\/em><\/p>

from the good, orphaned from truth<\/em><\/p>

you lose track of the meridian from Chernivitsi<\/em><\/p>

you say he left the clown<\/em><\/p>

behind, the Jew<\/em><\/p>

from Kryvyi Rih<\/em><\/p>

but this tear in the recurring tragedy<\/em><\/p>

who would dare wipe it from the face<\/em><\/p>

chained by the mute cry of Babi Yar<\/em><\/p>

that one marches toward you<\/em><\/p>

not reading from a script<\/em><\/p>

he tells about Russia<\/em><\/p>

make room for him, let him enter your heart<\/em><\/p>

the one who sees darkness clearly and kneels<\/em><\/p>

by the dead waiting in line for bread in Chernihiv<\/em><\/p>

the clown\u2019s tear<\/em><\/p>

transforms the Earth, the peremoha<\/em><\/p>

marches from Ukraine<\/em><\/p><\/blockquote>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

trans. Diana Kuprel<\/p>\n\n\n\n

*The Polish original uses three Ukrainian words: tut<\/em> = here, and refers to Zelensky\u2019s declaration that he will stay in Ukraine to fight; rozbombiony<\/em> = bombed out; and peremoha<\/em> = a long- and hard-fought victory in a battle that will go on.<\/p>\n\n\n\n

**The Ivan is a reference to Ivan Karamazov in Dostoyevsky\u2019s novel, The Brothers Karamazov<\/em>.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n

Este insuportabil pentru cei f\u0103r\u0103 somn<\/em><\/p>

care vegheaz\u0103 \u00een timp ce \u00eentunericul cade pe podul Skakun<\/em><\/p>

aruncat \u00een aer s\u0103 apere Bucha<\/em><\/p>

se rostogole\u0219te pe fa\u021ba<\/em><\/p>

P\u0103m\u00e2ntului \u00eens\u00e2ngerat<\/em><\/p>

cu grimas\u0103 dureroas\u0103 \u00een Irpien<\/em><\/p>

Locuitori ai P\u0103m\u00e2ntului, \u00eenmuia\u021bi-v\u0103 penelul \u00een el<\/em><\/p>

aceast\u0103 cerneal\u0103 \u00eenc\u0103 scrie adev\u0103rul,<\/em><\/p>

cuv\u00e2nt redus la t\u0103cere odat\u0103 cu cadavrul lui Harkov,<\/em><\/p>

uita\u021bi de motivele voastre<\/em><\/p>

ap\u0103r\u0103torii Kievului \u0219tiu c\u0103 inima lor este dreapt\u0103<\/em><\/p>

privi\u021bi clovnul \u00een ochi<\/em><\/p>

el nu se \u00eenclin\u0103 \u00een fa\u0163a oamenilor de stat<\/em><\/p>

el r\u0103m\u00e2ne tut \u2013 \u00eempotriva curentului \u2013 pe podul din Zaporizhia<\/em><\/p>

s\u0103 priveasc\u0103 femeia \u00eens\u0103rcinat\u0103 pe targ\u0103<\/em><\/p>

si primarul din Hostomel<\/em><\/p>

el \u00eenf\u0103\u0219oar\u0103 lumina mor\u021bilor \u00een giulgiul lacrimii<\/em><\/p>

curge prin cutele Niprului \u00een inima neamului<\/em><\/p>

m\u0103r\u0219\u0103luie\u0219te spre tine de-a lungul \u021b\u0103rmurilor grece\u0219ti din Odessa<\/em><\/p>

\u0219erpuie\u0219te prin visele tale p\u00e2n\u0103 la Roma<\/em><\/p>

purt\u00e2nd o Crimee tr\u0103dat\u0103<\/em><\/p>

el poart\u0103 lacrima unui copil care nu este al lui Ivan<\/em><\/p>

\u00een numele c\u0103ruia totul era permis a\u0219a c\u0103 ru\u0219ii<\/em><\/p>

au bombardat o gr\u0103dini\u021b\u0103 \u00een Starobielsk<\/em><\/p>

el nu se va lep\u0103da de credin\u021b\u0103<\/em><\/p>

\u00een timp ce se apleac\u0103 asupra fi ec\u0103rui om \u00eengropat<\/em><\/p>

\u00een ruinele Hersonului<\/em><\/p>

el dep\u0103\u0219e\u0219te puterea fi arei<\/em><\/p>

din iadul cerului deschis, el vine spre tine<\/em><\/p>

pe podul rozbombiony al Europei<\/em><\/p>

\u00een lacrima Fiec\u0103rui OM<\/em><\/p>

el poart\u0103 urletul jocului de moralitate<\/em><\/p>

din Mariupol<\/em><\/p>

cel din Alep Sarajevo Var\u0219ovia<\/em><\/p>

cel din Guernica Grozny \u015fi Masada<\/em><\/p>

el poart\u0103 azilul de b\u0103tr\u00e2ni uci\u0219i \u00een Kreminna<\/em><\/p>

voi \u021bintui\u021bi de leg\u0103turile voastre<\/em><\/p>

v\u0103 teme\u021bi de clovn<\/em><\/p>

\u00eenchide\u021bi ochii precum China<\/em><\/p>

cu fals\u0103 greutate scoate\u021bi frumuse\u021bea<\/em><\/p>

din bine, orfanul din adev\u0103r<\/em><\/p>

pierde\u021bi urma meridianului de la Chernivitsi<\/em><\/p>

spune\u021bi c\u0103 el l-a l\u0103sat \u00een urm\u0103 pe clovn<\/em><\/p>

evreul de la Kryvyi Rih<\/em><\/p>

dar aceast\u0103 lacrim\u0103 \u00een tragedia care se repet\u0103<\/em><\/p>

cine ar \u00eendr\u0103zni s-o \u0219tearg\u0103 de pe chipul<\/em><\/p>

\u00eenc\u0103tu\u0219at de strig\u0103tul mut al lui Babi Yar<\/em><\/p>

acela m\u0103r\u0219\u0103luie\u0219te spre voi<\/em><\/p>

f\u0103r\u0103 s\u0103 citeasc\u0103 dintr-un scenariu<\/em><\/p>

el poveste\u0219te despre Rusia<\/em><\/p>

f\u0103ce\u021bi-i loc, l\u0103sa\u021bi-l s\u0103 intre \u00een inima voastr\u0103<\/em><\/p>

pe cel care vede clar \u00eentunericul \u0219i \u00eengenuncheaz\u0103<\/em><\/p>

\u00een fa\u021ba mor\u021bilor care a\u0219teapt\u0103 la coad\u0103 p\u00e2ine \u00een Cernihiv<\/em><\/p>

lacrima clovnului<\/em><\/p>

transform\u0103 P\u0103m\u00e2ntul, peremoha<\/em><\/p>

m\u0103r\u0219\u0103luie\u0219te din Ucraina<\/em><\/p><\/blockquote>\n<\/div><\/div>\n\n\n\n

Traducere de Carmen FIRAN<\/p>\n\n\n\n

* Sunt folosite trei cuvinte ucrainene: tut<\/em> = aici, \u0219i se refer\u0103 la declara\u021bia lui Zelensky c\u0103 va r\u0103m\u00e2ne \u00een Ucraina pentru a lupta; rozbombiony<\/em> = bombardat; \u0219i peremoha = o victorie \u00eendelungat\u0103 \u0219i greu de ob\u021binut \u00eentr-o b\u0103t\u0103lie care va continua.<\/p>\n\n\n\n

** Ivan este o referire la Ivan Karamazov din romanul lui Dostoievski, Fra\u021bii Karamazov.<\/p>\n\n\n\n

\n
\n\n\n\n

Krzystof Czy\u017cewski<\/strong> is a practitioner of ideas, writer, philosopher, culture animator, theatre director, editor. He is co-founder and president of the Borderland Foundation (1990) and director of the Centre \u201cBorderland of Arts, Cultures and Nations\u201d in Sejny. Together with his team, in Krasnogruda on the Polish-Lithuanian border he revitalized a manor house once belonged to Czes\u0142aw Mi\u0142osz family, and initiated there an International Center for Dialog (2011).<\/p>\n\n\n\n

 Among his books are: The Path of the Borderland<\/em> (2001), Line of Return<\/em> (2008), Trust & Identity: A Handbook of Dialog<\/em> (2011), Mi\u0142osz \u2013 Dialog \u2013 Borderland<\/em> (2013), Mi\u0142osz. A Connective Tissue<\/em> (2014), The Krasnogruda Bridge. A Bridge-Builder\u2019s Toolkit<\/em> (2016), A Small Center of the World. Notes of the Practitioner of Ides <\/em>(2017, Tischner Award for the best essayist book of the year), \u017begaryszki<\/em> (2018, haiku poems), and Towar Xenopolis<\/em> (2019).<\/p>\n\n\n\n

Initiator of intercultural dialogue programs in Europe, Caucasus, Israel, Central Asia, Indonesia, Bhutan and USA. Teacher and lecturer, a visiting professor of Rutgers University and University of Bologna. <\/p>\n\n\n\n

He received the title of the Ambassador of European Year of Intercultural Dialog (Brussels). He is a laureate of Dan David Prize 2014 and Irena Sendlerowa Prize 2015. Together with the Borderland team he is the 2018 Princess Margriet European Award for Culture (Amsterdam) laureate. <\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Krzystof Czy\u017cewski \u043d\u0435\u0441\u0442\u0435\u0440\u043f\u043d\u043e \u0443 \u043f\u043e\u0441\u043c\u0435\u0440\u0442\u043d\u0443 \u043d\u0456\u0447 \u043b\u044e\u0434\u0438\u043d\u0438 \u0437 \u043f\u0456\u0442\u044c\u043c\u0438 \u043f\u0430\u0434\u0456\u043d\u043d\u044f \u0432\u043e\u043d\u0430 \u043f\u0456\u0434\u043d\u043e\u0441\u0438\u0442\u044c \u0431\u0435\u0437\u0441\u043e\u043d\u043d\u0438\u0445 \u043f\u0456\u0434 \u043c\u0456\u0441\u0442 \u0421\u043a\u0430\u043a\u0443\u043d\u0430 \u0434\u043e \u043e\u0431\u043e\u0440\u043e\u043d\u0438 \u0411\u0443\u0447\u0456 \u043a\u043e\u0442\u0438\u0442\u044c\u0441\u044f \u043f\u043e \u043e\u0431\u043b\u0438\u0447\u0447\u0456 \u0437\u0430\u043a\u0440\u0438\u0432\u0430\u0432\u043b\u0435\u043d\u043e\u0457 \u0417\u0435\u043c\u043b\u0456 \u0437\u0456 \u0437\u0431\u043e\u043b\u0435\u043d\u0438\u043c \u043b\u0438\u0446\u0435\u043c \u0406\u0440\u043f\u0435\u043d\u044f \u0432\u043c\u043e\u0447\u0430\u0439\u0442\u0435 \u0443…<\/p>\n","protected":false},"author":340,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[73984],"tags":[],"class_list":["post-608","post","type-post","status-publish","format-standard","hentry","category-resistance-humor"],"_links":{"self":[{"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/posts\/608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/users\/340"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/comments?post=608"}],"version-history":[{"count":26,"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/posts\/608\/revisions"}],"predecessor-version":[{"id":650,"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/posts\/608\/revisions\/650"}],"wp:attachment":[{"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/media?parent=608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/categories?post=608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs-test.newschool.edu\/hromada\/wpjson\/wp\/v2\/tags?post=608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}